The Weller

whitlatch weller

The Weller

Adam J Whitlatch

guest post contributed by Evan C.

Genre: Science Fiction

Sub-genre: Post Apocalypse

Novel, novella, short story: Novella

Serial or stand alone: Stand alone

Setting: The wasteland.

Characters: Matt Freeborn, the Well Digger.

Synopsis: Matt Freeborn is a weller, one whose job is to seek out the most valuable commodity in the wastes: clean, potable water. The weller’s precious cargo makes him a prime target for attack from savage road pirates, grotesque mutants, ravenous cannibals, and ruthless private armies. Armed with his trusty sidearm, the Well Digger, Freeborn is fully prepared to handle any of these terrors, but there are still things even the weller fears: the bogeymen of the wastes… distillers.

Thoughts: Loved it! What a fantastic apocalyptic romp through the wasteland! I was reminded of the post-nuke books I couldn’t get enough of back in the 80’s. The only difference being that The Weller was actually a great story with great characters, characters you come to care about.

I’m a big fan of postapoc “fantasy” – that is to say, stories that aren’t of a “prepper” nature. If you are a fan of Mad Max style postapoc fiction, this is one fits the bill.

Although it could be a stand-alone story, I really, really hope that Mr. Whitlatch continues with these characters and gives us more!

whitlatch

About the author: Adam J. Whitlatch is the author of “The Weller,” “War of the Worlds: Goliath,” and “Birthright – Book I of the Temujin Saga,” as well as dozens of short stories and poems spanning the genres of science fiction, fantasy, and horror.

A fantasy enthusiast from a young age, his interest in science fiction was first sparked at the age of ten when his father played the infamous 1938 Orson Welles War of the Worlds radio broadcast for him on Halloween. It’s a tradition Adam carries on to this day.

Adam lives in Iowa with his wife and their three sons.

Links

Amazon: http://www.amazon.com/Weller-Adam-J-Whitlatch-ebook/dp/B016EFQ4KY/

Website: http://adamjwhitlatch.com/

Twitter: https://twitter.com/AdamJWhitlatch

evan c

About Evan C.: Evan a devout fan of all things postapoc. Thankfully (for me at least) he’s also got a bit of in the stars sci-fi love as well. If you have an interest in postapoc books, films, or art Evan is THE Man to see. He can be found here:

Website: https://fromthewastes11811.wordpress.com/

Twitter: https://twitter.com/FromTheWastes

Facebook: https://www.facebook.com/FromTheWastes/?fref=ts

Year of the Dead

stewart year of the dead

Year of the Dead

Jack Stewart

Genre: zompoc

Sub-genre: post-outbreak/sprinter zombie

Novel, novella, short story: novella

Serial or stand alone: stand alone (spin off from The Great Wreck)

Setting: Los Angeles

Characters: Cerra, Patrick, Rutt

Synopsis: Zombies, Los Angeles, a sixteen year old female, more zombies, shopping, sex, another zombie or twenty, earthquakes, Coke (not coke), guns, skirts, and zombies…that about covers it.

Thoughts: I have no qualms admitting to buying this just because of the cover. The manga concept worked, as did the slinky-clad female. Must be a Juliet Starling and zombies connection going on in my brain somewhere. But, I am happy to report the inside of the cover is pretty good too. Cerra (she from the cover) is the snarky 16 year old narrator of her mostly solitary exploits after zombies take over the Los Angeles Basin. Since I have very few (if any) conversations with 16 year olds (female or male) I’ve no idea how “true” Cerra’s voice is. But that wasn’t the point of reading, or enjoying Stewart’s take on the zompoc. It is funny, witty, and entertaining. I can’t say it is all that scary, as Cerra is the narrator, so we know nothing too untoward befalls her, other than lots of zombies in their various states of decomposition. Now prudes may want to pass, as there is a bit a graphic activity contained under that revealing cover. A quick read at 80 pages, with myriad pop-culture references, a plethora of zombie mutilations, the requisite post-apoc psychopath, some sex with a balance beam, and a girl just trying to survive. Yeah, the cover didn’t lie.

stewart jack

About the author: In addition to Year of the Dead, New Mexico native Jack Stewart is also the author of Titan Asylum, The Great Wreck, The Notice, Into the Out, and Loser Takes All.

Links

Amazon: http://www.amazon.com/Year-Dead-Jack-Stewart-ebook/dp/B01BLKWK7I/

Website: http://www.ironcrosspublishing.com/


Twitter:
https://twitter.com/Jack_Stewart242

The Dead of Penderghast Manor

snow penderghast

The Dead of Penderghast Manor

Julianne Snow

Genre: horror/black comedy

Sub-genre: talking corpses

Novel, novella, short story: short story

Serial or stand alone: stand alone

Setting: non-specific rural Canada

Characters: Chester Penderghast, James Penderghast, William McShane, Holly and Rose Gideon

Synopsis: Chester Penderghast works in his father’s funeral home, preparing the recently deceased for their final internment. Ffor reasons not explained, those dead bodies still cling to the remnants of life. Much to Chester’s chagrin, these corpses talk, walk around, and essentially act as though they were not dead. Ah, but they only do so in his solitary presence. This has caused no small share of problems for poor Chester. However, much to his dismay, a bigger problem is about to arrive at Penderghast Manor…..the corpse(s) of conjoined twins Holly and Rose. They have a unique final wish, with some dark and humorous consequences.

Thoughts: Judging from the title one would assume this was another tale of ghosts in the attic of the boarded-up house at the end of the overgrown drive. These “ghosts” are in the basement, and the house is a funeral home. And they only show themselves to one person: Chester Penderghast. This is a funny, well-written, quick read. The story is an unexpected comedy trip into the machinations of the recently dead, who drag hapless Chester along during their final cognitive moments. From the lewd William McShane, to the bizarre request of the conjoined twins, to the sudden “understanding” of Chester’s father, James, the story is unpredictable and quite humorous.

snow

About the author: A member of the Horror Writers Association, Julianne Snow’s work has appeared in numerous anthologies and publications. Her longer works include Days with the Undead and The Carnival 13.

Links

Amazon: http://www.amazon.com/Dead-Penderghast-Manor-Julianne-Snow-ebook/dp/B00J7R2M4Y/

Website: http://dayswiththeundead.com/

Facebook: https://www.facebook.com/JulianneSnowAuthor

Twitter: https://twitter.com/CdnZmbiRytr

Salvage

ralston salvage

Salvage

Duncan Ralston

Now what’s not to love about the premise of a town submerged by a manmade lake? The possibilities for creepiness are damn-near infinite. Not being a fan of things underwater, Ralston’s setting had me curious from the blurb (or to be completely honest, from back when I first heard about the working premise around a year or so ago). Having read the book, oh yeah, all my submerged phobias came floating up to the surface: claustrophobia, drowning, floating in weightless murkiness. Yep, effectively creeped out. And there is also something unsettling about being on the surface of a body of water and not knowing what is waiting in that unknown darkness.

In this case it’s the ruins of a town, and metaphorically, it is the ruins of a man’s childhood. That man is Owen Saddler, a depressive who is forced to discover the truth about his past. A ghost story, and a human story, Salvage is both. The horrors of death and the horrors of life are melded together and left moldering in the murky depths of Chapel Lake, waiting for Owen to illuminate them.

Illumination is the hard part. Like recollection, viewing through water is distorted, refracted, unreal. The town of Peace Falls, abandoned for the sake of progress in the form of a hydroelectric dam and subsequent manmade lake, is a metaphor for memory. The town sits there, under the water, the church steeple still projecting skyward above the surface. Divers can visit the ruins, swim threw its decaying, collapsing buildings, even look for a trinket or two to salvage. However, like memories, the town isn’t what it once was. Being underwater, it has physically changed. It is dead, a ghost town, a subsurface Fukushima or Pripyat. As are memories. Time has changed them, skewed them into something better or worse than the actual “remembered” event. The metaphor, in Ralston’s novel, works perfectly. There are unknown physical dangers underwater. There are unknown dangers under the mental blanket. Some things are better left undisturbed on the streets and in the church of what once was Peace Falls. But humans aren’t typically content to let drowned dogs lie. For a truth is waiting, in the deepest part of Peace Falls, and in the deepest recess of the mind. Owen needs to find it, know it, confront it.

A sad, poignant, and heartbreaking look at how childhood trauma can linger and corrupt. I’ve read and loved Ralston’s earlier novellas and short stories. In Salvage he surpasses his earlier work with a debut novel that is a masterful blend of what I enjoy from his stories: wit, sarcasm, sinking creepiness, the unexpected, believable characters, and above all, a relevant plot. Highly entertaining, very creepy, and wonderfully written. Sometimes you don’t want to go into the water, but sometimes you have no other choice.

ralston author

Links

Amazon: http://www.amazon.com/Salvage-Duncan-Ralston-ebook/dp/B015G6ZZDY/

Website: http://www.duncanralston.com/

Facebook: https://www.facebook.com/duncanralstonfiction/?fref=ts

Twitter: https://twitter.com/DuncanGRalston

“//End User”

end-user-ralston

“//End User”

(from the collection Gristle & Bone)

Duncan Ralston

Genre: Apocalypse

Sub-genre: Techno-apoc

Novel, novella, short story: short story

Serial or stand alone: from the author’s collection Gristle & Bone

Setting: urban, non-specific

Characters: Mason, “Jenna”

Synopsis: Mason is a skeptic. Not the religious kind, no, his skepticism is to things human. Big things, government things hidden in deep bunkers. When he starts to receive strange emails sent from his own account, he figures it is those nefarious, shadowy agencies announcing his theories were no longer appreciated. However, the messages are much more than a government protected its secrets.

Excerpt: “The final message from Mason’s mysterious Spammer was a link. He didn’t want to see what this person—or persons—had to show him, but curiosity trumped logic yet again. Logic wasn’t having a very good day.

Squinching his eyes shut, Mason clicked it.

He heard the rumble and screech of a subway train.

No, his mind screamed. No, no, NO!

But his eyes confirmed the answer was indeed yes. Yes, it was College Station. Yes, the timecode was just about the time of the suicide—or murder—and yes, he was more than a little terrified. His heart leapt like a cat in a cage as he muted the sound.

The train entered a crowded station. Passengers filed out, passengers filed in. The doors closed, and the train rolled on. The security camera had a good view of the Designated Waiting Area, looking down on the benches and waste cans, the suicide hotline phone—diplomatically (as was Canadian custom) referred to as the “Crisis Link”—and the yawning black mouth of the exit tunnel.

A few riders were left on the platform, one of whom was a man in a trench coat who stood on the yellow line, much too close to the tracks. A few more people filed in: a woman with an overly large stroller (what Mason liked to call a Baby Mobile Command Unit); a man walking while staring at his tablet; a gaggle of teenage girls laughing and acting generally annoying; and a man with a bushy beard and stained coveralls, who looked like he could have been homeless.

Suddenly a huge spark of electricity zapped out from the covered cables on the wall. Tablet Man, who’d been leaning against the wall to read, jumped out of the way, his large feet kicking out comically as he backed into Trenchcoat. Trenchcoat stumbled, still much too close to the tracks. He swung his arms in a circular motion to regain his balance, the tail of his coat whipping out behind him like an actor in a John Woo movie.

Too late. Trenchcoat disappeared behind the ledge. Smoke began to rise, presumably from the third rail, as a crowd gathered. The homeless-looking man ran for the edge and reached out. A charred hand came up from the tracks, grasping at it….

The homeless man jerked a look to the left. He jumped to his feet and waved his arms frantically.

Bystanders leapt back in terror as the train rushed in, filling the void, wincing as the train crushed the man in the trench coat to death.”

 

Thoughts: Ralston’s Gristle & Bone was the first thing I ever read on my Kindle. That was back in March. I’ve read many works since then. And even after all those words written by many talented writers, “//End User” is still my favorite apocalyptic story. The ending really funny. The ironical humor reminded me of scenes from Shute’s On the Beach. Technology gone awry is a fascinating apocalyptic sub-genre. Here it is done with wit and human intelligence. Though the AI is remarkably “well-developed.”

ralston author

About the author: In addition to Gristle & Bone, Duncan has also published the collection Sweat & Blood. His full length novel, Salvage, was released in 2015. He lives in Toronto with his girlfriend and dog. Duncan is also slated to be the first contributor (outside of myself) to Poets of the Dead Society.

Links

Amazon: http://www.amazon.com/Gristle-Bone-Duncan-Ralston-ebook/dp/B011HOABNS/

Website: http://duncanralston.com/

Twitter: https://twitter.com/userbits

Facebook: https://www.facebook.com/duncanralstonfiction

Hurricane Coltrane

okerlund hurricane coltrane

Hurricane Coltrane

 Taya Okerlund

 One of my favorite things to do is read. Good, bad, or ugly, I’ve read numerous works from all three categories and the fussy areas in between. Being a writer, and with the accessibility of social media and Kindle, I’ve been able to read many more works, from a variety of authors, which a mere year ago, wouldn’t have been available to me.

Several times now, I’ve been asked to read the work by an author. I’ve found this to be a somewhat dicey situation in which to place myself, because some of those requested reads have fallen in the bad and/or ugly column. But thankfully a number of them are good. And some are truly great. So I gladly accept the risk of reading something new, by an author I’ve not read before.

I’m not a critic. I’m not here to rip apart a not-so-good novel or story. There are enough other people lurking on twitter who enjoy such things. I quite realize there is a matter of integrity involved in all of this. My opinion is my opinion. And if a writer really wants it, then I will give it: good, bad, or ugly.

Then every once in a while a work shows up in my Kindle which leaves me at a loss for words. It does happen. And when it does it reaffirms why I love to read and why I read not-so-good writing and not-so-good plots. Without the bad or the ugly you wouldn’t know what was good, and you certainly wouldn’t know what was great.

Hurricane Coltrane is one of those. I offer my opinion of it freely. The only coercion involved was forcing my brain to write something other than “Wow.”

Here’s my review of Hurricane Coltrane by Taya Oklerlund (one of the first reviews I ever wrote):

“Merrill Hinton is a self-proclaimed instigator. Not that this is too preposterous of a claim, since his single-mother does her fair share to shock the staid citizenry of the small Southern Utah town of Hurricane.

Merrill is the fifteen-year-old narrator of Taya Okerlund’s Hurricane Coltrane. His is a witty, sarcastic voice of a misfit who wants to be accepted, but knows that will never happen. Being fatherless in a town described as the “sticks” is not a stigma he can overcome. Not that his mother does much to lessen his ostracism. She runs an organization which assists in getting woman and children out of the nearby polygamist community of Colorado City, the notorious compound of FLDS leader Warren Jeffs.

When Merrill meets Robbie Stubbs, a “plyg” kid, music prodigy from Colorado City, his life takes several unexpected turns. Ranging from close to home, to Las Vegas, to Hollywood, Merrill tells a story of life and death, truth and lie, ignorance and knowledge.

Okerlund’s Merrill is a joy to read. He’s a real kid, with real issues, in a real town. His story is never predictable. He is funny, at times irreverent, but he was never forced or phony. I could very well imagine him sitting across from me, actually telling me his tale. Okerlund has created a voice believable and poignant. And he tells a believable and poignant story of love, loyalty, heartbreak, and loss.

This is one of those books I didn’t want to end. The emotion I felt upon reading the last page is not something I feel with every book: sadness that it was over; joy that I had read it. A work like this is what makes reading one of my loves. Granted, everyone is going to have their own take, but one thing I will say is this book is well worth the investment.

So, yes I highly recommend Hurricane Coltrane. An original, unpredictable, funny, sad, loving story of a boy, his mom, and the “plyg” kid prodigy. I can only hope Okerlund has a few more tales in her figurative pen. And by the way, “Wow” still applies.

okerlund

Hurricane Coltrane can be found in your local bookstore or online at:

Wido Publishing: http://widopublishing.com/ and http://books.widopublishing.com/home?page=shop.product_details&flypage=flypage.tpl&category_id=20&product_id=199

Amazon: http://www.amazon.com/gp/product/B00WD34HZG

Taya Okerlund can be found here:

Blog: http://maternitymindfulnessandmuses.blogspot.com/

Facebook: https://www.facebook.com/HurricaneColtrane

Twitter: https://twitter.com/TOkerlund

Better World

kalquist better world

Better World

(Fractured Era/Legacy Code book 1)

Autumn Kalquist

Genre: science fiction

Sub-genre: generational arkship

Novel, novella, short story: novella

Serial or stand alone: first book of the “Fractured Era series/Legacy Code timeline”

Setting: space, far from Earth

Characters: Maeve, Dritan, Fenton, Gilly, Cassia

Synopsis: The last humans spent centuries searching for a new Earth. Now they face extinction.
For three hundred years, arks have carried the last remnants of humanity through dark space. The ships are old, failing, and every colonist must do their duty to ensure the fleet’s survival.
Maeve is a metalworker, toiling in the blistering sublevels of the London. She’s lost friends and family to the hazardous work conditions and fears every job she’s assigned could be her last. All she wants is a little control over her life, but the oppressive sublevel enforcers ensure that’s not an option.
Now, after decades of traveling, the ships have finally reached their destination: Soren, a toxic planet that may have the resources they desperately need. But mining a planet comes at a price, and Maeve and the other workers will be expected to pay it with their lives.
If a better world awaits, Maeve’s sure to be dead long before the fleet finds it… unless she finds a way to control her destiny and change it.

Thoughts: Yes, I do have an affinity for generational arkships. Ask anyone who knows me. The idea of space travel without FTL engines, no cryo sleep, no wormholes, no jumpgates, but people living their entire lives onboard a spaceship is fascinating. From Goddard’s first essay back in the 1910’s, to Adliss and Heinlein, to contemporary interpretations, the arkship sub-genre presents so many possibilities for storytelling and social commentary. Kalquist’s prequel to her Fractured Era series, Better World presents the reader with an aging fleet of arkships. The ships are falling apart and no definitive destination awaits them. Here Kalquist does use jumpgates, but she does so in a unique way. The ships of the fleet must find and then mine the metals needed to make each jumpgate. They need the jumpgate to transit to the next system of planets, which may or may not be habitable and may or may not contain the minerals to make another jumpgate. The voyage has no end in sight, but the colonists must keep moving, mining, surviving for there is no other place to go. And the decrepit ships cannot safely transport them forever. Kalquist uses Maeve, a coming of age female as her lead, who right from the get-go the reader is made aware of her displeasure with her life and her place onboard the dilapidated London. With social strata and its associated privileges, Maeve toils on the lowest rungs on this society, hence her dissatisfaction. Not because she has no privileges, but because she has no hope of ever obtaining them. Her fate is set: work at the bottom until death takes her. Unless she forces a change she will die young and more than likely from some ghastly accident among London’s crumbling machinery. This is bleak dystopia set in the claustrophobic confines of space and it is an excellent introduction to the Fractured Era series.

Kalquist

 About the author: In addition to Better World, Kalquist is also the author of two other books which make up the Fractured Era series: Legacy Code and Paragon. In conjunction with writing fiction which “asks compelling questions,” she is also songwriter, and a music producer.

Links

Amazon: http://www.amazon.com/Better-World-Fractured-Era-Book-ebook/dp/B00ZSRATE2/

Website: http://www.autumnkalquist.com/

Twitter: https://twitter.com/AutumnKalquist

Facebook: https://www.facebook.com/AuthorAutumnKalquist?fref=ts

Nick and Abe

jones lex nick and abe

Nick and Abe

Lex H Jones

Genre: contemporary fiction

Sub-genre: religion/Christian

Novel, novella, short story: novel

Serial or stand alone: stand alone

Setting: Autumn City, United States/present day

Characters: Nick, Abe, Emily, May

Synopsis: God and Lucifer decide to spend one year as mortals, living among, working with, and learning about, humans and all their idiosyncrasies. However, they also become aware of their own issues, as they confront the perplexing problems of the humanity they created and influenced. Along the way, they meet Emily, a young idealistic divorce lawyer. She has a profound impact on father and son.

Thoughts: First off, I must confess, God and Satan represented as being human is a favorite of mine. I’m by no means an expert on the subject, but George Burns comes immediately to mind. And then there are the charismatic, nearly-human Lucifer adaptations by George Bernard Shaw and Mikhail Bulgakov (from which the Rolling Stones snagged the phrase “sympathy for the devil”). Lex H Jones has added a new variation on the theme. He has done a masterful job of bringing God and Lucifer to mortal, quirky, doubt-filled life. A family drama (estranged father and son) and a creative biblical exposition, Jones’s novel is delightfully witty and deeply intelligent. And while it is impossible to avoid the God/Lucifer clichés, Jones uses these established characterizations and physical descriptions as both parody and “truth.” Lucifer (the Nick from the title) smokes cigarettes and is a selfish bastard. God (Abe) is a janitor, cleaning up the daily mess of the law firm where he works and is a lowly, yet humble, worker. There are inherent dangers in using these truths and parodies; however, Jones pulls it off brilliantly. The story is told with compassion and sensitivity. The characters of Abe and Nick are believable in their cunning and naivety (both of them, to certain extents). The best thing (well one of myriad best things) about Nick and Abe is the removal of all the superfluous nonsense of contemporary organized religions. This is the non-fluffed story of a father and a son, whose issues have been left unresolved since right after the beginning. An excellent novel and an excellent story. Oh, and the ending, well, yeah, I’ll leave it at excellent.

 jones lex

Links

Amazon: http://www.amazon.com/Nick-Abe-Lex-H-Jones-ebook/dp/B01AXCM53O/

Amazon UK: http://www.amazon.co.uk/Nick-Abe-Lex-H-Jones/dp/190858694X/

Twitter: https://twitter.com/LexHJones

Facebook: https://www.facebook.com/LexHJones/?fref=ts

The Last Bus

feeney-the-last-bus

The Last Bus

Paul M Feeney

guest post by Duncan Ralston

Genre: science fiction

Sub-genre: horror

Novel, novella, short story: novella

Serial or stand-alone: stand-alone

Setting: UK

Characters: Multiple viewpoints

Synopsis: We’ve all been there – the dreaded early morning commute.

The surly driver; the obnoxious teenagers; the guy who just has to invade your personal space; the awkwardness as everyone avoids any kind of social interaction with anyone else; the frustrations of snarled-up traffic and tail-backs.

For most of us, the trip on public transport is about as bad as it gets.

For these passengers, it’s about to get a lot worse.

Jonathon, Justine and Hanna don’t know each other but they’re about to be thrown together as a simple journey to work turns into a race for survival when a mysterious object falls from the sky, initiating an alien invasion. Mutated monsters, trigger-happy soldiers and personality clashes abound on:

The Last Bus.

Excerpt: “Its long journey had taken it through star system after star system; past supernovas, dying suns, and uncounted dead planets.

But now, sensors buried deep beneath the thick crust of stone, dirt and metal awoke from their state of suspension. Basic modes of detection, designed for purpose alone, had picked up life signs on a nearby planet in a solar system on the edge of the galaxy. These in turn caused more sophisticated mechanisms and control to spiral into full function. The object buried at the heart of this artificially formed meteor—an artefact left over from a long forgotten war the participants of which had crumbled into dust thousands of millennia ago—rumbled into life, its singular programmed purpose initiating.

It began to carve out a space within its protective shell—a shell that would mostly burn away as it passed through the atmosphere it could detect—in order that it might have more room to carry out the role it was created for.

Through complex calculations, specific incremental changes in pressure within the widening cavity ensured that the object’s trajectory would intercept the third planet orbiting a relatively small star.

A planet that was teeming with life.”

Thoughts: This is an excellent novella, and the first longer work from Feeney, whose previous release was the short story The Weight of the Ocean from Phrenic Press. I read his previous… novelette, I guess it was, and was impressed enough to nab this one on paperback.  The characters of The Last Bus are well-drawn, the concept was set-up deftly, and the tension on the bus ratcheted up quickly. Even without the invasion, this would be an interesting bus trip. Once the invasion starts, roles are quickly fallen into: the nurse, the driver, the leader. Trying to get out of the city, it’s clear they’re on their own. The invasion must be contained.

The invasion itself is handled well, in what could easily have felt corny in less able hands. Feeney knows the genre well, and uses it to the story’s advantage.

I did feel that a lot more tension and scenes could have been wrung from the concept, as if this was only the beginning of a larger novel—a prologue, perhaps. Some of the interludes didn’t quite strike a chord with me (in particular, a scene with a speeding car, where the characters felt a little flat, or at least not fleshed-out quite as well as they could have been to draw sympathy), and as an already shorter work, these few interludes distracted from the larger story.

Otherwise, a nasty piece of writing; clear, concise prose that propels the reader from one scene to the next at a good clip. The fact that I read it in a day is more a testament to how compelling the story was than its short length.

About the author: “Hi, I’m Paul M. Feeney (obviously) and I’m relatively new to the writing/publishing world, having only been writing for a few years. To date, as you can see, I’ve had two short stories released, though I do have a few more forthcoming. My main area of interest is in horror and dark fiction.
I’ve just had my first novella released by Crowded Quarantine Publications. Entitled The Last Bus, it’s an alien invasion story which follows the (mis-) fortunes of a group of people trying to escape a ravaged city on a bus. Only available in paperback from the publisher, in a limited run of 250 signed and numbered copies.

I hope if you’ve liked the stories I’ve written so far, you’ll stick with me and read what’s still to come. I have many, many tales I want to share and love nothing more than knowing that other people have enjoyed reading them.
Peace out :-)”

Links:

The Last Bus is available as a limited edition signed and numbered paperback from Crowded Quarantine Press.

ralston

About Duncan Ralston: Duncan is the author of the anthology Gristle and Bone, the shorts stories “How to Kill a Celebrity” and “Dead Men Walking” and the novel Salvage. He is the first guest contributor to Poets of the Dead Society. Many thanks to him for his excellent post introducing Paul M. Feeney and The Last Bus.

 

The Plague Winter

Hawkins plague winter

The Plague Winter

Rich Hawkins

Genre: apocalypse

Sub-genre: genetipoc/alien invasion?

Novel, novella, short story: novella, set in “The Last” trilogy post-apoc world

Serial or stand alone: stand alone

Setting: United Kingdom

Characters: Eddie, Sam, Yost

Synopsis: Eddie and his grandson, Sam are just trying to survive the infestation of mutants human who have overtaken the United Kingdom. Whiskey and Sam are the two things that keep Eddie alive as winter sets in and the abominations show no signs of going away. Day by day, sip by sip, the rain falls, as the last humans fight to survive.

Thoughts: The second novella from Infected Books “Year of the Zombie.” Hawkins once again takes the reader to the dismal, desolate, apocalyptic world from his “The Last” trilogy. As with the two earlier full-length novels, The Winter Plague is a story of base survival in a land infested by human mutations bent on devouring the remnants of mankind. Eddie and his grandson Sam are two of those clinging survivors. Eddie scavenges for tins of food and bottles of whiskey, the two things he needs to survive another day in the devastated United Kingdom. One day he and Sam encounter another survivor named Yost, who adds a whole new dimension to the plague and to the future. As I’ve stated in reviews of Hawkins previous “The Last” novels, his writing style is wonderfully sparse, yet tells volumes with a minimum of words. The style adds to the bleak, hopeless setting, and the desperation of the characters. Hawkins’ work is not for those seeking happy endings or triumphant victories or the eventual re-rise of mankind as they banish the villains. What Hawkins writes is a testament to man’s ability to persevere even with no hope of winning. A day, an hour, another minute is a gift, or a hell depending upon the point of view. And what is deemed strength by some, might be viewed as weakness by others, for his characters refuse to take the easy route of suicide. There far too much going on for a three hundred word review to ever justify. I will say, Hawkins is one of the best writers I have ever read and his books are easily on-par with the best in any genre, ever.

About the author: Hawkins is from Somerset, England. A self-proclaimed “lovable rascal” he now lives in Salisbury with his wife and dog. In addition to The Last Plague he has also written The Last Outpost, Black Star Black Sun, and appeared in several anthologies.

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Links

Amazon: http://www.amazon.com/Plague-Winter-Year-Zombie-Book-ebook/dp/B01B9VY8OW/

Website: http://richwhawkins.blogspot.co.uk/ 

Twitter: https://twitter.com/RichHawkins4

Facebook: https://www.facebook.com/Rich-Hawkins-Writer-396739907194729/?fref=ts